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WikiLeaks Japan North Korea Collapse?; ‘Going Nuclear’; UN Security Council http //blogs.wsj.com/japanrealtime/2010/11/30/wikileaks-japan-north-korea-collapse-going-nuclear-un-security-council/ This is the latest roundup of Japan mentions in a series of JRT posts pulled from the WikiLeaks U.S. embassy cables series relating to Japan. ― From a February 22, 2010, cable classified as “secret” from the U.S. embassy in Seoul summarizing a Feb. 17 conversation between U.S. Ambassador to South Korea Kathleen Stephens and Vice Foreign Minister Chun Yung-woo on Sino-North Korean relations Chun argued that, in the event of a North Korean collapse, China would clearly “not welcome” any U.S. military presence north of the DMZ. XXXXXXXXXXXX Chun XXXXXXXXXXXX said the PRC would be comfortable with a reunified Korea controlled by Seoul and anchored to the United States in a “benign alliance” — as long as Korea was not hostile towards China. Tremendous trade and labor-export opportunities for Chinese companies, Chun said, would also help salve PRC concerns about living with a reunified Korea. Chun dismissed the prospect of a possible PRC military intervention in the event of a DPRK collapse, noting that China’s strategic economic interests now lie with the United States, Japan, and South Korea — not North Korea. Moreover, Chun argued, bare-knuckle PRC military intervention in a DPRK internal crisis could “strengthen the centrifugal forces in China’s minority areas.” On Japan-South Korea relations Chun acknowledged the Ambassador’s point that a strong ROK-Japan relationship would help Tokyo accept a reunified Korean Peninsula under Seoul’s control. Chun asserted that, even though “Japan’s preference” was to keep Korea divided, Tokyo lacked the leverage to stop reunification in the event the DPRK collapses. ― From a June 17, 2009, cable classified as “confidential” from the U.S. embassy in Beijing summarizing a June 16 discussion with an unidentified source about Asian affairs related to North Korea XXXXXXXXXXXXXXXXXXXXXXXX told the Charge that he kept abreast of Western media reports about North Korea. XXXXXXXXXXXX cautioned that U.S. experts should not assume North Korea would implode after Kim Jong-il’s death. He said that PRC analysts concluded that the regime would still function normally and discounted strongly any suggestion that the system would collapse once Kim Jong-il disappeared. ROK has no new ideas - Japan can only scuttle talks XXXXXXXXXXXX said that ROK Six-Party Talks envoy Wi Sung-lac had met with VFM Wu Dawei on June 9 but had offered nothing new. “The South Koreans have plenty of ideas, but we’ve heard them all before,” he complained, adding that the ROK government was too close to the situation in North Korea to be objective. Turning to Japan, XXXXXXXXXXXX said that Japan’s obsession with the abductee issue reminded him of a Chinese expression for an individual who was too weak to make something work, yet strong enough to destroy it. ― From a January 12, 2009, cable classified as “confidential” from the U.S. embassy in Seoul summarizing South Korea’s foreign policy towards its neighbors President Lee has made concerted efforts to improve relations with Tokyo, which were significantly strained during the Roh Moo-hyun era over history and territory issues. Lee sought to compartmentalize what he called “disputes over the past,” stating in an early policy address that “South Korea and Japan should…try to foster a future-oriented relationship with a pragmatic attitude. Historical truth must not be ignored, but we can no longer afford to give up our future relations due to disputes over the past.” Lee’s vision was to look beyond the history-bound bilateral issues and create a Korea-Japan partnership active in the regional and global arena on issues like the denuclearization of the DPRK, strengthening of multilateral relationships, trade and economics, and cooperation on projects like alternative energy, communicable diseases, and poverty alleviation. So far, Lee’s efforts have yielded some success, although Blue House officials would argue that results would have been far better had Tokyo shown more courage, especially in dealing with the Takeshima/Dokdo issue [refers to the territorial disputed group of islands in the Sea of Japan. It is called Takeshima in Japan and Dokdo in South Korea]. For example, Lee pressed ahead with his plan to engage Japan on a more strategic regional and global level. Lee made the decision that Korea would participate in the October U.S.-Japan-Korea Trilateral Policy Planning talks (Ref A) in Tokyo. He then agreed to the U.S.-Japan-Korea Defense Trilateral Talks (Ref B) in Washington in November, the first trilateral defense talks in six years. Lee also initiated the first ever stand-alone China-Japan-Korea Trilateral Summit (Ref C) in Fukuoka in December. Critics will of course point out that there were no substantive results from these meetings, but the fact that the meetings were held at all is a significant result. ― From a April 30, 2009, cable classified as “secret” from the U.S. embassy in Beijing. The “Charge” refers to Dan Piccuta, who was chargé d’affaires of the U.S. embassy in Beijing at the time of the correspondence In the first two G-20 Financial Summits, U.S. and Chinese positions had been close, closer even than the United States and Europe, XXXXXXXXXXXX noted. Views on major issues such as the need for fiscal stimulus and reform of international financial institutions were similar. Leading up to the London Summit, XXXXXXXXXXXX felt that the U.S.-U.K.-China “troika” had been effective Beijing could persuade the developing countries, Washington could influence Japan and South Korea, and London could bring along the Europeans. And further down the cable , related to overhauling the United Nations Security Council, a prospect that could mean adding to the current roster of five permanent (P-5) members, which currently includes the U.S., Russia, China, the U.K. and France China was concerned by “momentum” that was building on UN Security Council reform, which was “not good” for the P-5, XXXXXXXXXXXX said. China wanted the United States to maintain its position on UNSC reform and not be “proactive” on the matter, which the PRC feared could result in a UN General Assembly resolution on the subject. The P-5 “club” should not be “diluted,” XXXXXXXXXXXX said. If we end up with a “P-10,” both China and the United States would “be in trouble.” Moreover, it would be difficult for the Chinese public to accept Japan as a permanent member of the UNSC. The Charge replied that the Administration had not completed its policy review on UNSC expansion, so we do not yet have a position on specific proposals. Nonetheless, the United States believed that UN members should be allowed to state their positions freely and openly without undue P-5 influence. Regarding Japan, the Charge said that, while no decision had been made about which countries to support for permanent membership on the UNSC, it was hard to envision any expansion of the Council that did not include Japan, which was the second-largest contributor to the UN budget. ― From a June 4, 2009, cable classified as “secret” from the embassy in Singapore summarizing a May 30 discussion between U.S. Deputy Secretary of State James Steinberg’s conversation with Singapore founder and former prime minister Lee Kuan Yew, who now goes by the title minister mentor The Deputy Secretary noted that North Korea’s decisions will have an impact in Japan. MM Lee said he believes Japan may well “go nuclear.” The Chinese must have factored this into their calculations and concluded that the prospect of Japan with nuclear weapons is less bad than losing North Korea as a buffer state. The Chinese take a long-term view and must think that within a few years the DPRK’s current leadership will be gone and there will be new leadership, with new thinking. But there will still be a North Korea, he said. ウィキリークス情報
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American Tour 1972 06/03/1972 Pacific Coliseum - Vancouver, BC 06/04/1972 Seattle Center Coliseum - Seattle, WA (2 shows) 06/06/1972 Winterland Palace - San Francisco, CA (2 shows) 06/08/1972 Winterland Palace - San Francisco, CA (2 shows) 06/09/1972 Hollywood Palladium - Los Angeles, CA 06/10/1972 Pacific Terrace Center - Long Beach, CA 06/11/1972 The Forum - Los Angeles, CA (2 shows) 06/13/1972 International Sports Arena - San Diego, CA 06/14/1972 Civic Arena - Tucson, AZ 06/15/1972 University Of New Mexico - Albuquerque, NM 06/16/1972 Denver Coliseum - Denver, CO (2 shows) 06/18/1972 Metropolitan Sports Center - Bloomington, MN 06/19/1972 International Amphitheater - Chicago, IL 06/20/1972 International Amphitheater - Chicago, IL (2 shows) 06/22/1972 Municipal Auditorium - Kansas City, MO 06/24/1972 Tarrant County Convention Center - Fort Worth, TX (2 shows) 06/25/1972 Hofheinz Pavilion - Houston, TX (2 shows) 06/27/1972 Municipal Auditorium - Mobile, AL 06/28/1972 University Of Alabama - Tuscaloosa, AL 06/29/1972 Municipal Auditorium - Nashville, TN 07/04/1972 Robert F. Kennedy Memorial Stadium - Washington, DC 07/05/1972 The Scope - Norfolk, VA 07/06/1972 Charlotte Coliseum - Charlotte, North Carolina 07/07/1972 Civic Arena - Knoxville, TN 07/09/1972 Kiel Convention Hall - St. Louis, MO (2 shows) 07/11/1972 Rubber Bowl - Akron, OH 07/12/1972 Convention Center - Indianapolis, IN 07/13/1972 Cobo Hall - Detroit, MI 07/14/1972 Cobo Hall - Detroit, MI 07/15/1972 Maple Leaf Gardens - Toronto, ON (2 shows) 07/17/1972 Montreal Forum - Montreal, QC 07/18/1972 Boston Garden - Boston, MA 07/19/1972 Boston Garden - Boston, MA 07/20/1972 The Spectrum - Philadelphia, PA 07/21/1972 The Spectrum - Philadelphia, PA (2 shows) 07/22/1972 Civic Center Arena - Pittsburgh, PA 07/24/1972 Madison Square Garden - New York, NY 07/25/1972 Madison Square Garden - New York, NY (2 shows) 07/26/1972 Madison Square Garden - New York, NY BACK / NEXT
https://w.atwiki.jp/oper/pages/3185.html
ATTO II Scena Prima (Recinto attiguo alla chiesa del castello. Vi sorgono in disparte alcuni sepolcri gotici. In uno recente è scolpito il nome di Massimiliano Moor) AMALIA (genuflessa innanzi al sepolcro di Massimiliano) Dopo breve silenzio alzandosi) Dall infame banchetto io m involai, padre, e qui mi rifuggo, all obliato sepolcro tuo che sola la furtiva mia lagrima consola. CORO (interno) Godiam, chè fugaci son l ore del riso Dai calici ai baci ne guida il piacer. La fossa, una croce ne manda un avviso La vita è veloce, t affretta a goder. AMALIA Empio! CORO Lasciamo i lamenti di stupido rito; plorar sugli spenti è folle dolor. AMALIA Empio! CORO Non turbino i negri colori il convito, qui brilli e n allegri la tazza e l amor. AMALIA Tripudia, esulta, iniquo, sull ossa di tuo padre! CORO La sorte futura de fiacchi è terrore, ma sillaba oscura de forti al pensier. Godiam, chè fugaci del riso son l ore; dai calici ai baci ne guidi il piacer. AMALIA Oh! mia la pace che nella vita gli rapisti, in morte funestar non gli puoi! No! non penetra l esecrata tua voce in quella pietra. (volgendosi alla tomba) Tu del mio Carlo al seno volasti, alma beata, e il tuo soffrir terreno or si fa gioia in ciel. Sol io qui vivo in pianto deserta e sconsolata; oh! quanto invidio! oh, quanto, il tuo felice avel! Scena Seconda (Arminio, Amalia) ARMINIO (entra agitato) Ah, signora! AMALIA Che vuoi! ARMINIO D un gran misfatto chieggo perdone… AMALIA Mi lascia! ARMINIO Uditemi… AMALIA Importuno! ARMINIO Il vostro Carlo…vive! AMALIA Che parli? ARMINIO Il vero e vostro zio… vive ancor esso… (Fugge) AMALIA Arrestati!…gran Dio! (dopo un momento di stupore) Carlo vive? O caro accento, melodia di paradiso! Dio raccolse il mio lamento, fu pietoso al mio dolor. Carlo vive?… Or terra e cielo si riveston d un sorriso; gli astri, il sol non han più velo; l universo è tutto amor. Scena Terza (Francesco, Amalia) FRANCESCO Perchè fuggisti al canto del festivo convito? AMALIA Un altra voce mi sonava nel cor; la pia preghiera che trasse a quella tomba il padre tuo. FRANCESCO Vuoi piangerlo in eterno?… Ah, smetti alfine questo cordoglio che m irrita, e questa che mi cela i tuoi vezzi oscura vesta. Io t amo, Amalia! io t amo d immenso ardente amore! Meco a regnar ti chiamo t offro la mano e il core; il tuo sovrano ed arbitro schiavo ti cade al pie . AMALIA Tu che pur dianzi a morte traevi il mio diletto, m inviti or tua consorte a nuzial banchetto? Empio! all infame talamo non salirai con me! FRANCESCO Tracotante! or ben sapranno rabbassar la tua cervice quattro mura… AMALIA O vil tiranno, da te lungi io son felice. FRANCESCO Tu lo speri? oh no, proterva! Qui starai! Mia druda e serva. AMALIA Ah!… FRANCESCO Sì, mia druda! Al sol tuo nome vo che arrossi ogni persona voglio trarti per che chiome… (Cerca trascinarla con sè) AMALIA Io t offesi…A me perdona! (Simula d abbracciarlo e gli strappa la spada) Ti scosta, o malnato, se pur non t è caro sentirti l acciaro confitto nel cor! Mi regge, mi guida la spada omicida lo spirto indignato del tuo genitor. FRANCESCO O vil femminetta, chi sfidi non sai; col sangue dovrai l oltraggio scontar. Catene, flagelli, tormenti novelli per te la vendetta mi debbe insegnar. Scena Quarta (La selva boema. Praga in lontananza mezzo ascosa fra gli alberi. Entrano alcuni masnadieri) ALCUNI (entrando) Tutto quest oggi le mani in mano. ALTRI (accorrendo) Oh! non sapete? I PRIMI Che v ha di strano? I SECONDI Rolla è prigione! I PRIMI Prigion? che sento! I SECONDI Darà, vi dico, de calci al vento. I PRIMI Che disse il Capo? I SECONDI Disse e giurò che far di Praga vuole un falò. I PRIMI Se l ha giurato, lo manterrà. Povera Praga. I SECONDI Tu n hai pietà? Povero il Rolla che va tra poco… (Una fiamma lontana vedesi rosseggiare fra gli alberi) Oh! non vedete quel vasto foco? I PRIMI Eccovi il cero! Là non è fola, il Capitano tenne parola. TUTTI Che fuoco orrendo! Che mai seguì? (Grida interne; quindi sbucano dagli alberi donne scapigliate con fanciulli) DONNE La terra trema, s abbuia il dì, Oh! noi perdute!… Soccorso! aiuto! Il finimondo certo è venuto. (Spariscono di nuovo fra gli alberi) Scena Quinta (Rolla ed altri Masnadieri, poi Carlo Moor) MASNADIERI Morte e demonio! Chi si fa presso? L ombra del Rolla?… Per Dio, egli è desso! D onde ne vieni così serrato? ROLLA (anelante) Io?…dalla forca dritto filato. Dell acquavite! non reggo più. MASNADIERI (Gli mescono un bicchiere d acquavite) Bevi e poi narra. ROLLA (ad uno della masnada) Narralo tu. ALCUNI MASNADIERI I cittadini correano alla festa e noi, lanciate più cànape ardenti, gridammo "al foco!" da questa e da quella. Ed ecco pressa, tumulto, lamenti… La polveriera scoppiò con tempesta, e la paura confuse i sergenti; il duce allora piombò sulla folla e trasse il laccio dal capo del Rolla. ALTRI MASNADIERI Viva! Vittoria di braccio e pensier; chi gli sovrasti non ha il masnadier. ROLLA Sì! m ha tirato fuor dalla fossa. (Carlo entra pensieroso) MASNADIERI Eccolo! Ha l aria mesta e commossa! Capitano! qual è la tua mente? CARLO Noi partiam coll aurora vegnente. (La masnada si perde nella selva) MASNADIERI Viva, viva il masnadier! Scena Sesta (Carlo) CARLO (solo, contemplando il sole che tramonta) Come splendido e grande il sol tramonta! Degno è ben che s adori! In questa forma cade un eroe!… Natura! oh, sei pur bella! Sei pur bella e stupenda; ed io deforme, orribile così!… Tutto è qui riso, io sol trovo l inferno in paradiso! Di ladroni attorniato, al delitto incatenato dalla terra io son reietto, maledetto io son dal ciel. Cara vergine innocente! se mi corre a te la mente, più mi duol la mia catena, la mia pena è più crudel. Scena Settima (La masnada precipitosa,. Carlo Moor) MASNADIERI Capitano! noi siamo cerchiati… CARLO Da quant armi? MASNADIERI Da mille soldati. CARLO Su, fratelli; stringetevi insieme, non temete di gente che teme! TUTTI Su, fratelli, corriamo, alla pugna come lupi di questa boscaglia! Trionfar d una schiava ciurmaglia ne farà disperato valor. Nella destra un esercito impugna chi bandisce la libera spada; basta un sol della nostra masnada per la rotta di tutti costor. (Partono precipitosi) ATTO II Scena Prima (Recinto attiguo alla chiesa del castello. Vi sorgono in disparte alcuni sepolcri gotici. In uno recente è scolpito il nome di Massimiliano Moor) AMALIA (genuflessa innanzi al sepolcro di Massimiliano) Dopo breve silenzio alzandosi) Dall infame banchetto io m involai, padre, e qui mi rifuggo, all obliato sepolcro tuo che sola la furtiva mia lagrima consola. CORO (interno) Godiam, chè fugaci son l ore del riso Dai calici ai baci ne guida il piacer. La fossa, una croce ne manda un avviso La vita è veloce, t affretta a goder. AMALIA Empio! CORO Lasciamo i lamenti di stupido rito; plorar sugli spenti è folle dolor. AMALIA Empio! CORO Non turbino i negri colori il convito, qui brilli e n allegri la tazza e l amor. AMALIA Tripudia, esulta, iniquo, sull ossa di tuo padre! CORO La sorte futura de fiacchi è terrore, ma sillaba oscura de forti al pensier. Godiam, chè fugaci del riso son l ore; dai calici ai baci ne guidi il piacer. AMALIA Oh! mia la pace che nella vita gli rapisti, in morte funestar non gli puoi! No! non penetra l esecrata tua voce in quella pietra. (volgendosi alla tomba) Tu del mio Carlo al seno volasti, alma beata, e il tuo soffrir terreno or si fa gioia in ciel. Sol io qui vivo in pianto deserta e sconsolata; oh! quanto invidio! oh, quanto, il tuo felice avel! Scena Seconda (Arminio, Amalia) ARMINIO (entra agitato) Ah, signora! AMALIA Che vuoi! ARMINIO D un gran misfatto chieggo perdone… AMALIA Mi lascia! ARMINIO Uditemi… AMALIA Importuno! ARMINIO Il vostro Carlo…vive! AMALIA Che parli? ARMINIO Il vero e vostro zio… vive ancor esso… (Fugge) AMALIA Arrestati!…gran Dio! (dopo un momento di stupore) Carlo vive? O caro accento, melodia di paradiso! Dio raccolse il mio lamento, fu pietoso al mio dolor. Carlo vive?… Or terra e cielo si riveston d un sorriso; gli astri, il sol non han più velo; l universo è tutto amor. Scena Terza (Francesco, Amalia) FRANCESCO Perchè fuggisti al canto del festivo convito? AMALIA Un altra voce mi sonava nel cor; la pia preghiera che trasse a quella tomba il padre tuo. FRANCESCO Vuoi piangerlo in eterno?… Ah, smetti alfine questo cordoglio che m irrita, e questa che mi cela i tuoi vezzi oscura vesta. Io t amo, Amalia! io t amo d immenso ardente amore! Meco a regnar ti chiamo t offro la mano e il core; il tuo sovrano ed arbitro schiavo ti cade al pie . AMALIA Tu che pur dianzi a morte traevi il mio diletto, m inviti or tua consorte a nuzial banchetto? Empio! all infame talamo non salirai con me! FRANCESCO Tracotante! or ben sapranno rabbassar la tua cervice quattro mura… AMALIA O vil tiranno, da te lungi io son felice. FRANCESCO Tu lo speri? oh no, proterva! Qui starai! Mia druda e serva. AMALIA Ah!… FRANCESCO Sì, mia druda! Al sol tuo nome vo che arrossi ogni persona voglio trarti per che chiome… (Cerca trascinarla con sè) AMALIA Io t offesi…A me perdona! (Simula d abbracciarlo e gli strappa la spada) Ti scosta, o malnato, se pur non t è caro sentirti l acciaro confitto nel cor! Mi regge, mi guida la spada omicida lo spirto indignato del tuo genitor. FRANCESCO O vil femminetta, chi sfidi non sai; col sangue dovrai l oltraggio scontar. Catene, flagelli, tormenti novelli per te la vendetta mi debbe insegnar. Scena Quarta (La selva boema. Praga in lontananza mezzo ascosa fra gli alberi. Entrano alcuni masnadieri) ALCUNI (entrando) Tutto quest oggi le mani in mano. ALTRI (accorrendo) Oh! non sapete? I PRIMI Che v ha di strano? I SECONDI Rolla è prigione! I PRIMI Prigion? che sento! I SECONDI Darà, vi dico, de calci al vento. I PRIMI Che disse il Capo? I SECONDI Disse e giurò che far di Praga vuole un falò. I PRIMI Se l ha giurato, lo manterrà. Povera Praga. I SECONDI Tu n hai pietà? Povero il Rolla che va tra poco… (Una fiamma lontana vedesi rosseggiare fra gli alberi) Oh! non vedete quel vasto foco? I PRIMI Eccovi il cero! Là non è fola, il Capitano tenne parola. TUTTI Che fuoco orrendo! Che mai seguì? (Grida interne; quindi sbucano dagli alberi donne scapigliate con fanciulli) DONNE La terra trema, s abbuia il dì, Oh! noi perdute!… Soccorso! aiuto! Il finimondo certo è venuto. (Spariscono di nuovo fra gli alberi) Scena Quinta (Rolla ed altri Masnadieri, poi Carlo Moor) MASNADIERI Morte e demonio! Chi si fa presso? L ombra del Rolla?… Per Dio, egli è desso! D onde ne vieni così serrato? ROLLA (anelante) Io?…dalla forca dritto filato. Dell acquavite! non reggo più. MASNADIERI (Gli mescono un bicchiere d acquavite) Bevi e poi narra. ROLLA (ad uno della masnada) Narralo tu. ALCUNI MASNADIERI I cittadini correano alla festa e noi, lanciate più cànape ardenti, gridammo "al foco!" da questa e da quella. Ed ecco pressa, tumulto, lamenti… La polveriera scoppiò con tempesta, e la paura confuse i sergenti; il duce allora piombò sulla folla e trasse il laccio dal capo del Rolla. ALTRI MASNADIERI Viva! Vittoria di braccio e pensier; chi gli sovrasti non ha il masnadier. ROLLA Sì! m ha tirato fuor dalla fossa. (Carlo entra pensieroso) MASNADIERI Eccolo! Ha l aria mesta e commossa! Capitano! qual è la tua mente? CARLO Noi partiam coll aurora vegnente. (La masnada si perde nella selva) MASNADIERI Viva, viva il masnadier! Scena Sesta (Carlo) CARLO (solo, contemplando il sole che tramonta) Come splendido e grande il sol tramonta! Degno è ben che s adori! In questa forma cade un eroe!… Natura! oh, sei pur bella! Sei pur bella e stupenda; ed io deforme, orribile così!… Tutto è qui riso, io sol trovo l inferno in paradiso! Di ladroni attorniato, al delitto incatenato dalla terra io son reietto, maledetto io son dal ciel. Cara vergine innocente! se mi corre a te la mente, più mi duol la mia catena, la mia pena è più crudel. Scena Settima (La masnada precipitosa,. Carlo Moor) MASNADIERI Capitano! noi siamo cerchiati… CARLO Da quant armi? MASNADIERI Da mille soldati. CARLO Su, fratelli; stringetevi insieme, non temete di gente che teme! TUTTI Su, fratelli, corriamo, alla pugna come lupi di questa boscaglia! Trionfar d una schiava ciurmaglia ne farà disperato valor. Nella destra un esercito impugna chi bandisce la libera spada; basta un sol della nostra masnada per la rotta di tutti costor. (Partono precipitosi) Verdi,Giuseppe/I masnadieri/III
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Universe Universe アーティスト Official髭男dism 発売日 2021年2月24日2021年1月9日(配信) レーベル ポニーキャニオン DLデイリー最高順位 1位(2021年1月10日) 週間最高順位 1位(2021年3月2日) 月間最高順位 1位(2021年2月) 年間最高順位 7位(2021年) 初動総合売上 46280 累計総合売上 103452 配信ゴールド スーパーロングセラー 週間1位 月間1位 収録内容 曲名 タイアップ 視聴 1 Universe ドラえもん のび太の宇宙小戦争2021 主題歌 CD/総合ランキング 週 月日 CDシングル 総合シングル 順位 週/月間枚数 累計枚数 順位 週/月間枚数 累計枚数 1 1/12 11 4375 4375 2 1/19 7 5538 9912 3 1/26 11 2556 12468 2021年1月 16 12468 12468 4-6 3870 16338 7 2/23 9 1882 18219 8 3/2 1 37323 37323 1 46280 64498 2021年2月 1 37323 37323 1 48161 64498 9 3/9 6 3740 41063 2 6263 70761 9 3/16 6 2457 43520 14 2457 73218 9 3/23 10 1353 44873 23 1353 74571 9 3/30 13 1433 46306 24 1433 76004 9 4/6 9 1147 47453 18 1147 77151 2021年3月 7 10130 47453 12 12653 77151 9 4/13 18 616 48069 616 77767 9 4/20 15 559 48628 559 78326 9 4/27 19 623 49251 623 78949 10 5/4 13 651 49902 23 651 79600 2021年4月 30 2449 49902 42 2449 79600 11 5/11 12 507 50409 20 507 80107 12 5/18 11 395 50804 18 395 80502 13 5/25 336 51140 336 80838 14 6/1 435 51575 32 435 81273 2021年5月 28 1673 51575 39 1673 81273 15 6/8 408 51983 408 81681 16 6/15 310 52293 310 81991 17 6/22 284 52577 284 82275 18 6/29 273 52850 273 82548 19 7/6 314 53164 23 314 82862 2021年6月 36 1589 53164 43 1589 82862 20 7/13 239 53403 239 83101 21 7/20 235 53638 235 83336 22 7/27 304 53942 304 83640 23 8/3 180 54122 180 83820 2021年7月 958 54122 72 958 83820 24 8/10 242 54364 242 84062 25 8/17 237 54601 237 84299 26 8/24 16 528 55129 528 84827 27 8/31 347 55476 28 347 85174 2021年8月 34 1354 55476 46 1354 85174 28 9/7 17 267 55743 267 85441 29 9/14 234 55977 234 85675 30 9/21 189 56166 189 85864 31 9/28 141 56307 141 86005 32 10/5 119 56426 119 86124 2021年9月 42 950 56426 51 950 86124 33 10/12 137 56563 137 86261 34 10/19 120 56683 120 86381 35 10/26 121 56804 121 86502 36 11/2 136 56940 136 86638 2021年10月 514 56940 74 514 86638 37 11/9 122 57062 122 86760 38 11/16 109 57171 109 86869 39 11/23 99 57270 99 86968 40 12/7 130 57400 130 87098 41 12/14 130 57530 130 87228 21Y 3 13003 100101 42 12/21 111 57641 111 100342 43 12/28 176 57817 176 100518 44 1/11 15 247 58064 247 100765 45 1/18 129 58193 129 100894 46 1/25 117 58310 117 101011 47 2/1 132 58442 132 101143 2022年1月 36 625 58442 46 625 101143 49 2/15 177 58767 177 101468 50 2/22 119 58886 119 101587 51 3/1 88 58974 88 101675 52 3/8 140 59114 140 101815 53 3/15 159 59273 159 101974 54 3/22 156 59429 156 102130 55 3/29 124 59553 124 102254 56 4/5 111 59664 111 102365 2022年3月 42 690 59664 54 690 102365 57 4/12 95 59759 95 102460 58 4/19 81 59840 81 102541 59 4/26 93 59933 93 102634 60 5/3 101 60034 101 102735 61 5/10 109 60143 109 102844 62 5/17 91 60234 91 102935 63 5/24 84 60318 84 103019 64 6/28 87 60405 87 103106 65 7/19 72 60477 72 103178 66 8/16 82 60559 82 103260 67 12/27 92 60651 92 103352 68 1/10 100 60751 100 103452 配信ランキング Universe 週 月日 デジタルシングル 順位 週/月間DL数 累計DL数 1 1/12 4 10936 10936 2 1/19 4 13844 24780 3 1/26 8 6389 31169 2021年1月 6 31169 31169 4-6 9674 40843 7 2/23 6 4703 45546 8 3/2 8 5608 51154 2021年2月 8 10311 51154 9 3/9 4 6307 57461 21Y 32507 89968 映画ドラえもん 主題歌 前作STAND BY ME 2 のび太の宇宙小戦争2021 次作のび太と空の理想郷 虹菅田将暉 Universe ParadiseNiziU 関連CD イエスタデイ
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Xboxタイトル一覧 FPS タイトル 発売元（開発） 備考 Call of Duty ファイネストアワー CAPCOM（Spark Unlimited） 互換対応済み。 Counter-Strike マイクロソフト（Valve, Ritual Entertainment and Turtle Rock Studio） ワールドコレクション。互換対応済み。 Halo マイクロソフト（Bungie Studio） 互換対応済み。 Halo2 マイクロソフト（Bungie Studio） 互換対応済み。 Return to Castle Wolfenstein Tides of War アクティビジョン（Nerve Software） ワールドコレクション。互換対応済み。 Star Wars Jedi Knight Jedi Academy アクティビジョン（LucasArts、Raven Software、Vicarious Visions） ワールドコレクション SWAT Global Strike Team Vivendi Universal Games（Argonaut Games） ワールドコレクション Tom Clancy s Ghost Recon Ubisoft (Redstorm Entertainment) Tom Clancy s Ghost Recon Island Thunder Ubisoft (Redstorm Entertainment) 互換対応済み。 Unreal Championship Atari（Digital Extremes） ワールドコレクション XIII サーティーン ~大統領を殺した男~ マーベラスインタラクティブ（UBISoft） オンライン対戦可能。互換対応済み。 コンカー Live and Reloaded マイクロソフト（Rare） 互換対応済み。 スターウォーズ リパブリックコマンド EA（Lucas Arts） 互換対応済み。 トム・クランシーシリーズ レインボーシックス3 Ubisoft (Ubisoft Montreal) 互換対応済み。 トム・クランシーシリーズ レインボーシックス3 ブラックアロー Ubisoft (Ubisoft) 互換対応済み。 トム・クランシーシリーズ レインボーシックス ロックダウン Ubisoft (Ubisoft Montreal) ブラザー イン アームズ ロード トゥ ヒル サーティー Ubisoft (Ubisoft) TPS タイトル 発売元（開発） 備考 スターウォーズバトルフロント EA（Lucas Arts/Pandemic） 互換対応済み。 MechAssault マイクロソフト（Day1 Studios） メカ系TPS MechAssault 2 Lone Wolf マイクロソフト（Day1 Studios） メカ系TPS。互換対応済み。 Brute Force マイクロソフト（Digital Anvil） 互換対応済み。 Metal Arms Glitch in the System Vivendi Universal Games（Swingin’ Ape Studios） ワールドコレクション。互換対応済み。 Dinosaur Hunting ～失われた大地～ マイクロソフト（スカラベ） ハンティングゲーム 準FPS・TPS （FPS・TPS風の操作だが、ゲーム性が異なるもの。もしくは、ゲーム性はFPS・TPSだが、操作方法が基本的なFPS・TPSとは大きく異なるもの。） タイトル 発売元（開発） 備考 スプリンターセル UBISoft ステルス系TPS スプリンターセル カオスセオリー UBISoft ステルス系TPS スプリンターセル パンドラトゥモロー UBISoft ステルス系TPS デウスエクス インビジブル・ウォー Eidos（ION STORM) RPG要素の強いFPS メタルウルフカオス フロムソフトウェア アーマードコアと同じ照準システム Hitman Silent Assassin アイドス（IO Interactive） ステルス系TPS Hitman Contracts アイドス（IO Interactive） ステルス系TPS 海外限定タイトル （Xboxの海外ソフトはアジア版のみ国内本体で起動可能。北米版は起動不可能。一部のみ北米版にもリージョンフリーのタイトルがあり、それは国内版本体でも起動可能。） タイトル 発売元（開発） 備考 America s Army Riseof a Soldier Ubisoft (Secret Level) 互換対応済み。 Battlefield 2 Modern Combat EA (Digital Illusion CE) Battle Engine Aquila ATARI (Lost Toys) 互換対応済み。 BLACK EA（Criterion Software） アジア版のみ国内本体で起動可。互換対応済み。 Brother in Arms Earned in Blood Ubisoft (Gearbox Software) リージョンフリー Brother in Arms Road to Hill 30 Ubisoft (Gearbox Software) リージョンフリー Call of Duty 2 Big Red One Activision (Treyarch) リージョンフリー。互換対応済み。 Call of Duty3 Activision (Treyarch) リージョンフリー。 The Chronicles of Riddick Escape from Butcher Bay Vivendi Universal Games (Tigon Studios/Starbreeze Studios) リージョンフリー Close Combat First to Fight 2K Games (Destineer) 互換対応済み。 Cold Fear Ubisoft (Darkworks) リージョンフリー Combat Elite WWII Paratroopers SouthPeak Interactive (BattleBorne Entertainment) 互換対応済み。 Combat Task Force 121 Groove Games (Direct Action Games/Zombie Studios) Commandos Strike Force Eidos Interactive (Pyro Studios) リージョンフリー Conflict Desert Storm SCi (Pivotal Games) 互換対応済み。 Conflict Desert Storm II Back to Baghdad SCi (Pivotal Games) Conflict Global Terror SCi/2K Games (Pivotal Games) Conflict Vietnam Eidos Interactive (Pivotal Games) Darkwatch Capcom (High Moon Studios) 互換対応済み。 Dead Man s Hand ATARI (Human Head Studios) リージョンフリー Delta Force Black Hawk Down Vivendi Universal Games (NovaLogic) リージョンフリー。 Destroy All Humans! THQ (Pandemic Studios) リージョンフリー。互換対応済み。 Doom3 Activision (id Software) リージョンフリー。互換対応済み。 Doom3 Resurrection of Evil Activision (Nerve Software/id Software) リージョンフリー。互換対応済み。 Far Cry Instincts Ubisoft (Ubisoft Montreal) リージョンフリー。互換対応済み。 Far Cry Instincts Evolution Ubisoft (Ubisoft Montreal) リージョンフリー Greg Hastings Tournament Paintball Activision (WXP Inc.) 互換対応済み。 Greg Hastings Tournament Paintball Max D Activision (WXP Inc.) リージョンフリー。 Half-Life 2 EA (Valve Software) リージョンフリー。互換対応済み。 Hitman Blood Money Eidos Interactive (IO Interactive) リージョンフリー。 James Bond 007 Agent Under Fire EA (EA) James Bond 007 Everything or Nothing EA (EA) James Bond 007 From Russia with Love EA (EA) James Bond 007 Nightfire EA (Eurocom) 互換対応済み。 Judge Dredd Dredd vs. Death Evolved Games (Rebellion) 互換対応済み。 Just Cause Eidos Interactive (Avalanche Studios) リージョンフリー。 Land of the Dead Road to Fiddler s Green Groove Games (Brainbox Games) リージョンフリー。 Mace Griffin Bounty Hunter Vivendi Universal Games (Warthog) Max Payne Rockster Games (Remedy Entertainment) 互換対応済み。 Max Payne 2 Rockster Games (Remedy Entertainment) 互換対応済み。 Medal of Honor European Assault EA (EA Los Angeles) アジア版有り。互換対応済み。 Medal of Honor Frontline EA (2015) 互換対応済み。 Medal of Honor Rising Sun EA (EA Los Angeles) 互換対応済み。 Men of Valor Vivendi Universal Games (2015) リージョンフリー Mercenaries Playground of Destruction LucasArts (Pandemic Studios) リージョンフリー Metal Arms Glitch in the System Vivendi Universal Games(Swingin Ape Studios) リージョンフリー Oddworld Stranger s Wrath EA (Oddworld Inhabitants) Operation Flashpoint Elite Codemasters (Bohemia Interactive Studios) リージョンフリー Painkiller Hell Wars DreamCatcher Interactive (People Can Fly) Pariah Groove Games (Digital Extremes) リージョンフリー。互換対応済み。 Peter Jackson s King Kong The Official Game of the Movie Ubisoft (Ubisoft Montpellier) リージョンフリー。 Project Snowblind Eidos Interactive (Crystal Dynamics) アジア版有り。 The Punisher THQ (Volition Inc.) リージョンフリー。互換対応済み。 Red Faction II THQ (Volition Inc.) アジア版有り。互換対応済み。 Robocop Titus (Titus) Rogue Trooper Eidos Interactive (Ribellion) リージョンフリー。互換対応済み。 Serious Sam Gotham Games (Croteam) 互換対応済み。 Serious Sam II 2K Games (Croteam) Shadow Ops Red Mercury ATARI (Zombie Studios) リージョンフリー。互換対応済み。 Shellshock Nam 67 Eidos Interactive (Guerrilla Games) リージョンフリー。互換対応済み。 Soldier of Fortune II Double Helix Activision (Raven Software/Gratuitous Games) リージョンフリー Star Wars Battlefront II LucasArts (Pandemic Studios) リージョンフリー。互換対応済み。 Terminator 3 Rise of the Machines ATARI (Black Ops Entertainment) リージョンフリー。 Thief Deadly Shadows Eidos Interactive (ION Storm Austin) リージョンフリー。互換対応済み。 Timesplitters Future Perfect EA（Free Radical Design） アジア版のみ国内本体で起動可 Tom Clancy s Ghost Recon Ubisoft (Redstorm Entertainment) 互換対応済み。 Tom Clancy s Ghost Recon Island Thunder Ubisoft (Redstorm Entertainment) リージョンフリー。互換対応済み。 Tom Clancy s Ghost Recon 2 Ubisoft (Redstorm Entertainment) リージョンフリー。互換対応済み。 Tom Clancy s Ghost Recon 2 Summit Strike Ubisoft (Redstorm Entertainment) リージョンフリー。互換対応済み。 Tom Clancy s Ghost Recon Advanced Warfighters Ubisoft (Ubisoft Shanghai) リージョンフリー Tom Clancy s Rainbow Six 3 Ubisoft (Redstorm Entertainment) リージョンフリー。互換対応済み。 Tom Clancy s Rainbow Six 3 Black Arrow Ubisoft (Ubisoft) リージョンフリー。互換対応済み。 Tom Clancy s Rainbow Six Lockdown Ubisoft (Redstorm Entertainment) リージョンフリー Tom Clancy s Rainbow Six Critical Hour Ubisoft (Ubisoft Quebec/Redstorm Entertainment) リージョンフリー Total Overdose Sci Entertainment/Eidos Interactive (Deadline Games) リージョンフリー Tron 2.0 Killer App. Buena Vista Interactive (Monolith Productions/Climax Group) リージョンフリー。 Turok Evolution Acclaim Entertainment (Acclaim Studios Austin) 互換対応済み。 Unreal II The Awakening ATARI (Legend Entertainment/Tantalus Interactive) リージョンフリー Unreal Championship 2 The Liandri Conflict Midway (Epic Games) リージョンフリー。互換対応済み。 Urban Chaos Riot Response Eidos Interactive (Rocksteady Studios) リージョンフリー Vietcong Purple Haze Gathering of Developers (Coyote) リージョンフリー。互換対応済み。 Warpath Groove Games (Digital Extremes) リージョンフリー。互換対応済み。 Without Warning Capcom (Circle Studio) リージョンフリー。 World War II Combat Iwo Jima Groove Games (Direct Action Games) リージョンフリー
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CHAPTER XXXVI UP CHAPTER XXXVIII CHAPTER XXXVII The Reaper Whose Name Is Death 「The Reaper Whose Name Is Death」松本訳注第37章(1) p. 531参照 第37章 死という命の刈りとり（松本訳） "Matthew--Matthew--what is the matter? Matthew, are you sick?" It was Marilla who spoke, alarm in every jerky word. Anne came through the hall, her hands full of white narcissus,--it was long before Anne could love the sight or odor of white narcissus again,--in time to hear her and to see Matthew standing in the porch doorway, a folded paper in his hand, and his face strangely drawn and gray. Anne dropped her flowers and sprang across the kitchen to him at the same moment as Marilla. 「sprang」 They were both too late; before they could reach him Matthew had fallen across the threshold. "He s fainted," gasped Marilla. "Anne, run for Martin-- quick, quick! He s at the barn." Martin, the hired man, who had just driven home from the post office, started at once for the doctor, calling at Orchard Slope on his way to send Mr. and Mrs. Barry over. Mrs. Lynde, who was there on an errand, came too. They found Anne and Marilla distractedly trying to restore Matthew to consciousness. Mrs. Lynde pushed them gently aside, tried his pulse, and then laid her ear over his heart. She looked at their anxious faces sorrowfully and the tears came into her eyes. "Oh, Marilla," she said gravely. "I don t think--we can do anything for him." "Mrs. Lynde, you don t think--you can t think Matthew is-- is--" Anne could not say the dreadful word; she turned sick and pallid. "Child, 「Child」この話し掛け方は……、特別な意味はないんでしょうね、たぶん yes, I m afraid of it. Look at his face. When you ve seen that look as often as I have you ll know what it means." Anne looked at the still face and there beheld the seal of the Great Presence. 「the seal of the Great Presence」重々しく、かつ、間接的な表現は……、どうなんでしょう。アンの気持ちを表すのに適切？ When the doctor came he said that death had been instantaneous and probably painless, caused in all likelihood by some sudden shock. The secret of the shock was discovered to be in the paper Matthew had held and which Martin had brought from the office that morning. It contained an account of the failure of the Abbey Bank. 「an account of the failure of the Abbey Bank」この account は、記事、の意味ととるべきでしょう。しかし、もちろん、銀行の口座も account なので、モードは掛け言葉のように、記事、口座のどちらの意味もある単語を使ったのに違いありません 「the failure of the Abbey Bank」松本訳注第37章(2) p. 531参照 The news spread quickly through Avonlea, and all day friends and neighbors thronged Green Gables and came and went on errands of kindness for the dead and living. For the first time shy, quiet Matthew Cuthbert was a person of central importance; the white majesty of death had fallen on him and set him apart as one crowned. When the calm night came softly down over Green Gables the old house was hushed and tranquil. In the parlor lay Matthew Cuthbert in his coffin, his long gray hair framing his placid face on which there was a little kindly smile as if he but slept, dreaming pleasant dreams. There were flowers about him--sweet old-fashioned flowers which his mother had planted in the homestead garden in her bridal days 「in her bridal days」グリーンゲイブルズを建てる前から、同じ場所に植えてあったのでしょう。グリーンゲイブルズが建ったときには、マシューもマリラも子供ではなかったのですから。It seems uncanny to think of a child at Green Gables somehow; there s never been one there, for Matthew and Marilla were grown up when the new house was built （CHAPTER I with impressionMrs. Rachel Lynde is Surprised ） and for which Matthew had always had a secret, wordless love. Anne had gathered them and brought them to him, her anguished, tearless eyes burning in her white face. It was the last thing she could do for him. The Barrys and Mrs. Lynde stayed with them that night. Diana, going to the east gable, where Anne was standing at her window, said gently "Anne dear, would you like to have me sleep with you tonight?" "Thank you, Diana." Anne looked earnestly into her friend s face. "I think you won t misunderstand me when I say I want to be alone. I m not afraid. I haven t been alone one minute since it happened-- and I want to be. I want to be quite silent and quiet and try to realize it. I can t realize it. Half the time it seems to me that Matthew can t be dead; and the other half it seems as if he must have been dead for a long time and I ve had this horrible dull ache ever since." Diana did not quite understand. Marilla s impassioned grief, breaking all the bounds of natural reserve and lifelong habit in its stormy rush, she could comprehend better than Anne s tearless agony. 倒置。ふつうの順にすれば、She could comprehend Marilla s impassioned grief, breaking all the bounds of natural reserve and lifelong habit in its stormy rush, better than Anne s tearless agony. 「Marilla s」は所有格。昼間、弔問客の来ているとき、マリラは大泣きをしていたが、アンは涙を流さなかった。そして、その上、ひとりにしてほしい、と言ったことも含め、ダイアナにはアンがよくは理解できなかった。この文は、そういうことでしょう But she went away kindly, leaving Anne alone to keep her first vigil with sorrow. Anne hoped that the tears would come in solitude. It seemed to her a terrible thing that she could not shed a tear for Matthew, whom she had loved so much and who had been so kind to her, Matthew who had walked with her last evening at sunset and was now lying in the dim room below with that awful peace on his brow. But no tears came at first, even when she knelt by her window in the darkness and prayed, looking up to the stars beyond the hills--no tears, only the same horrible dull ache of misery that kept on aching until she fell asleep, worn out with the day s pain and excitement. In the night she awakened, with the stillness and the darkness about her, and the recollection of the day came over her like a wave of sorrow. She could see Matthew s face smiling at her as he had smiled when they parted at the gate that last evening--she could hear his voice saying, "My girl--my girl that I m proud of." Then the tears came and Anne wept her heart out. Marilla heard her and crept in to comfort her. "There--there--don t cry so, dearie. It can t bring him back. It--it--isn t right to cry so. I knew that today, but I couldn t help it then. He d always been such a good, kind brother to me--but God knows best." "Oh, just let me cry, Marilla," sobbed Anne. "The tears don t hurt me like that ache did. Stay here for a little while with me and keep your arm round me--so. I couldn t have Diana stay, she s good and kind and sweet--but it s not her sorrow--she s outside of it and she couldn t come close enough to my heart to help me. It s our sorrow-- yours and mine. 「yours and mine」アンの home はふたりだけになってしまった Oh, Marilla, what will we do without him?" "We ve got each other, Anne. 「We ve got each other」いまひとつ、わかりづらい。have got は、have とほぼ同じだから……。日本語だと、「いる」と思うけれども、英語だと「持つ」という表現の違いか。なるほど。兄（弟）がいます、が、I have a brother になるように。「わたしたちにはお互いがいる」 I don t know what I d do if you weren t here--if you d never come. 仮定法 Oh, Anne, I know I ve been kind of strict and harsh with you maybe-- but you mustn t think I didn t love you as well as Matthew did, for all that. I want to tell you now when I can. It s never been easy for me to say things out of my heart, but at times like this it s easier. I love you as dear as if you were my own flesh and blood and you ve been my joy and comfort ever since you came to Green Gables." Two days afterwards they carried Matthew Cuthbert over his homestead threshold and away from the fields he had tilled and the orchards he had loved and the trees he had planted; and then Avonlea settled back to its usual placidity and even at Green Gables affairs slipped into their old groove and work was done and duties fulfilled with regularity as before, although always with the aching sense of "loss in all familiar things." 「"loss in all familiar things"」松本訳注第37章(3) p. 532参照 Anne, new to grief, thought it almost sad that it could be so--that they COULD go on in the old way without Matthew. She felt something like shame and remorse when she discovered 「that」アンが discover したことは文末までに４つ示されていて、それぞれ that節になっている。こういうのは話し言葉ではあまりないのではないいでしょうか that the sunrises behind the firs and the pale pink buds opening in the garden gave her the old inrush of gladness when she saw them--that Diana s visits were pleasant to her and that Diana s merry words and ways moved her to laughter and smiles--that, in brief, the beautiful world of blossom and love and friendship had lost none of its power to please her fancy and thrill her heart, that life still called to her with many insistent voices. "It seems like disloyalty to Matthew, somehow, to find pleasure in these things now that he has gone," she said wistfully to Mrs. Allan one evening when they were together in the manse garden. "I miss him so much--all the time-- and yet, Mrs. Allan, the world and life seem very beautiful and interesting to me for all. Today Diana said something funny and I found myself laughing. I thought when it happened I could never laugh again. And it somehow seems as if I oughtn t to." "When Matthew was here he liked to hear you laugh and he liked to know that you found pleasure in the pleasant things around you," said Mrs. Allan gently. "He is just away now; 「He is just away now」松本訳注第37章(4) p. 532参照 and he likes to know it just the same. I am sure we should not shut our hearts against the healing influences that nature offers us. But I can understand your feeling. I think we all experience the same thing. We resent the thought that anything can please us when someone we love is no longer here to share the pleasure with us, and we almost feel as if we were unfaithful to our sorrow when we find our interest in life returning to us." "I was down to the graveyard to plant a rosebush on Matthew s grave this afternoon," said Anne dreamily. "I took a slip of the little white Scotch rosebush his mother brought out from Scotland long ago; 「I took a slip of the little white Scotch rosebush」白い小さなスコッチローズから挿し木にする枝を取った。少し上のほうに even at Green Gables affairs slipped into their old groove グリーンゲイブルズでも、いろいろなことは元の習慣に戻った、とあるところにも、slip が使われているのですが、関連させていると思うのは考えすぎでしょうか 「from Scotland」マシューのお母さんはスコットランドからの移民。結婚して、夫婦でプリンスエドワード島に来たんでしょうね、きっと。単身もありえなくはないでしょうけども。または、両親とともにカナダにやってきて、そのときにバラも持ってきていて、結婚後、植えたか Matthew always liked those roses the best--they were so small and sweet on their thorny stems. It made me feel glad that I could plant it by his grave--as if I were doing something that must please him in taking it there to be near him. I hope he has roses like them in heaven. Perhaps the souls of all those little white roses that he has loved so many summers were all there to meet him. I must go home now. Marilla is all alone and she gets lonely at twilight." "She will be lonelier still, I fear, when you go away again to college," said Mrs. Allan. このアラン夫人の言葉は、転換点のひとつに相当 Anne did not reply; she said good night and went slowly back to green Gables. 「slowly」すぐ前では、もうおいとましなくては I must go home now. とアラン夫人にアンは言っているにも拘らず、歩みは遅い。アラン夫人の言葉を受けて、歩みが遅くなったわけですが、このアラン夫人の言葉が転換点であったのかは、すぐ後の文（グリーンゲイブルズの描写やマリラとの会話）からはわからないような構成になっている。しかも、その転換がどうだったのか、つまり、アンがどう考え、どう行動し、そして、周りの人がどんな風に協力、対応したかは、次章で明らかになる。転換点をあまり転換点らしく表現していないのは、たぶん、小説の技法としてはいいことなんでしょう。「Anne did not reply」があるので、転換点を強調してはいますが Marilla was sitting on the front door-steps and Anne sat down beside her. The door was open behind them, held back by a big pink conch shell with hints of sea sunsets in its smooth inner convolutions. Anne gathered some sprays of pale-yellow honeysuckle and put them in her hair. She liked the delicious hint of fragrance, as some aerial benediction, above her every time she moved. "Doctor Spencer was here while you were away," Marilla said. "He says that the specialist will be in town tomorrow and he insists that I must go in and have my eyes examined. I suppose I d better go and have it over. I ll be more than thankful if the man can give me the right kind of glasses to suit my eyes. 「the man」やはり、眼科医は男性であったか You won t mind staying here alone while I m away, will you? Martin will have to drive me in and there s ironing and baking to do." "I shall be all right. Diana will come over for company for me. I shall attend to the ironing and baking beautifully-- you needn t fear that I ll starch the handkerchiefs or flavor the cake with liniment." もちろん、これは、CHAPTER XX with impression? A Good Imagination Gone Wrong と CHAPTER XXI with impression? A New Departure in Flavorings のお話。ちょうど４年前、アン12歳 Marilla laughed. "What a girl you were for making mistakes in them days, Anne. 「in them days」これは、ふつうなら in those days ではないかしら You were always getting into scrapes. I did use to think you were possessed. Do you mind the time you dyed your hair?" もちろん、これは、CHAPTER XXVII with impression Vanity and Vexation of Spiritのお話。３年と少し前、アン13歳 "Yes, indeed. I shall never forget it," smiled Anne, touching the heavy braid of hair that was wound about her shapely head. 「the heavy braid of hair」３年経てば、髪もそれなりに十分伸びたでしょう。でも、小さいころのように編み下げにはしていないようですが。まだあまり長くはないでしょうし "I laugh a little now sometimes when I think what a worry my hair used to be to me--but I don t laugh MUCH, because it was a very real trouble then. I did suffer terribly over my hair and my freckles. My freckles are really gone; and people are nice enough to tell me my hair is auburn now--all but Josie Pye. She informed me yesterday that she really thought it was redder than ever, or at least my black dress made it look redder, 「black dress」松本訳注第37章(5) p. 532参照 and she asked me if people who had red hair ever got used to having it. Marilla, I ve almost decided to give up trying to like Josie Pye. I ve made what I would once have called a heroic effort to like her, but Josie Pye won t BE liked." "Josie is a Pye," said Marilla sharply, "so she can t help being disagreeable. I suppose people of that kind serve some useful purpose in society, but I must say I don t know what it is any more than I know the use of thistles. 「thistle」アザミ：スコットランドの国花。Pye 家も（Cuthbert 家や モンゴメリ家のように）スコットランドからの移民なのかしら Is Josie going to teach?" "No, she is going back to Queen s next year. First class licence が得られるはず So are Moody Spurgeon and Charlie Sloane. Jane and Ruby are going to teach and they have both got schools--Jane at Newbridge and Ruby at some place up west." "Gilbert Blythe is going to teach too, isn t he?" "Yes"--briefly. "What a nice-looking fellow he is," 「a nice-looking fellow」boyではなく、fellowだ！ Puffin Books 版では、a nice-looking young fellow said Marilla absently. 「absently」これは Gilbert の中に John を見ているからでしょう "I saw him in church last Sunday and he seemed so tall and manly. 「so tall and manly」お～、ほめてるほめてる He looks a lot like his father did at the same age. John Blythe was a nice boy. 「a nice boy」ここでは、boy となっている。little girl 同様、boy も英語では難しい We used to be real good friends, he and I. People called him my beau." Anne looked up with swift interest. "Oh, Marilla--and what happened?--why didn t you--" "We had a quarrel. I wouldn t forgive him when he asked me to. I meant to, after awhile--but I was sulky and angry and I wanted to punish him first. He never came back--the Blythes were all mighty independent. 「the Blythes」さっきは、Pye 家の話でしたが、家柄を強調するあたり、少々古い小説と感じてしまう。もちろん古いのですが But I always felt--rather sorry. I ve always kind of wished I d forgiven him when I had the chance." "So you ve had a bit of romance in your life, too," said Anne softly. "Yes, I suppose you might call it that. You wouldn t think so to look at me, would you? But you never can tell about people from their outsides. Everybody has forgot about me and John. I d forgotten myself. But it all came back to me when I saw Gilbert last Sunday." CHAPTER XXXVI UP CHAPTER XXXVIII 12 August 2007 今日 - | 昨日 - | Total - since 12 August 2007 last update 2007-08-12 21 35 11 (Sun)
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Reserved Bourne shell variables Variable name Definition CDPATH A colon-separated list of directories used as a search path for the cd built-in command. HOME The current user s home directory; the default for the cd built-in. The value of this variable is also used by tilde expansion. IFS A list of characters that separate fields; used when the shell splits words as part of expansion. MAIL If this parameter is set to a file name and the MAILPATH variable is not set, Bash informs the user of the arrival of mail in the specified file. MAILPATH A colon-separated list of file names which the shell periodically checks for new mail. OPTARG The value of the last option argument processed by the getopts built-in. OPTIND The index of the last option argument processed by the getopts built-in. PATH A colon-separated list of directories in which the shell looks for commands. PS1 The primary prompt string. The default value is " \s-\v\$ ". PS2 The secondary prompt string. The default value is " ". Reserved Bash variables Variable name Definition auto_resume This variable controls how the shell interacts with the user and job control. BASH The full pathname used to execute the current instance of Bash. BASH_ENV If this variable is set when Bash is invoked to execute a shell script, its value is expanded and used as the name of a startup file to read before executing the script. BASH_VERSION The version number of the current instance of Bash. BASH_VERSINFO A read-only array variable whose members hold version information for this instance of Bash. COLUMNS Used by the select built-in to determine the terminal width when printing selection lists. Automatically set upon receipt of a SIGWINCH signal. COMP_CWORD An index into ${COMP_WORDS} of the word containing the current cursor position. COMP_LINE The current command line. COMP_POINT The index of the current cursor position relative to the beginning of the current command. COMP_WORDS An array variable consisting of the individual words in the current command line. COMPREPLY An array variable from which Bash reads the possible completions generated by a shell function invoked by the programmable completion facility. DIRSTACK An array variable containing the current contents of the directory stack. EUID The numeric effective user ID of the current user. FCEDIT The editor used as a default by the -e option to the fc built-in command. FIGNORE A colon-separated list of suffixes to ignore when performing file name completion. FUNCNAME The name of any currently-executing shell function. GLOBIGNORE A colon-separated list of patterns defining the set of file names to be ignored by file name expansion. GROUPS An array variable containing the list of groups of which the current user is a member. histchars Up to three characters which control history expansion, quick substitution, and tokenization. HISTCMD The history number, or index in the history list, of the current command. HISTCONTROL Defines whether a command is added to the history file. HISTFILE The name of the file to which the command history is saved. The default value is ~/.bash_history. HISTFILESIZE The maximum number of lines contained in the history file, defaults to 500. HISTIGNORE A colon-separated list of patterns used to decide which command lines should be saved in the history list. HISTSIZE The maximum number of commands to remember on the history list, default is 500. HOSTFILE Contains the name of a file in the same format as /etc/hosts that should be read when the shell needs to complete a hostname. HOSTNAME The name of the current host. HOSTTYPE A string describing the machine Bash is running on. IGNOREEOF Controls the action of the shell on receipt of an EOF character as the sole input. INPUTRC The name of the Readline initialization file, overriding the default /etc/inputrc. LANG Used to determine the locale category for any category not specifically selected with a variable starting with LC_. LC_ALL This variable overrides the value of LANG and any other LC_ variable specifying a locale category. LC_COLLATE This variable determines the collation order used when sorting the results of file name expansion, and determines the behavior of range expressions, equivalence classes, and collating sequences within file name expansion and pattern matching. LC_CTYPE This variable determines the interpretation of characters and the behavior of character classes within file name expansion and pattern matching. LC_MESSAGES This variable determines the locale used to translate double-quoted strings preceded by a "$" sign. LC_NUMERIC This variable determines the locale category used for number formatting. LINENO The line number in the script or shell function currently executing. LINES Used by the select built-in to determine the column length for printing selection lists. MACHTYPE A string that fully describes the system type on which Bash is executing, in the standard GNU CPU-COMPANY-SYSTEM format. MAILCHECK How often (in seconds) that the shell should check for mail in the files specified in the MAILPATH or MAIL variables. OLDPWD The previous working directory as set by the cd built-in. OPTERR If set to the value 1, Bash displays error messages generated by the getopts built-in. OSTYPE A string describing the operating system Bash is running on. PIPESTATUS An array variable containing a list of exit status values from the processes in the most recently executed foreground pipeline (which may contain only a single command). POSIXLY_CORRECT If this variable is in the environment when bash starts, the shell enters POSIX mode. PPID The process ID of the shell s parent process. PROMPT_COMMAND If set, the value is interpreted as a command to execute before the printing of each primary prompt (PS1). PS3 The value of this variable is used as the prompt for the select command. Defaults to " #? " PS4 The value is the prompt printed before the command line is echoed when the -x option is set; defaults to " + ". PWD The current working directory as set by the cd built-in command. RANDOM Each time this parameter is referenced, a random integer between 0 and 32767 is generated. Assigning a value to this variable seeds the random number generator. REPLY The default variable for the read built-in. SECONDS This variable expands to the number of seconds since the shell was started. SHELLOPTS A colon-separated list of enabled shell options. SHLVL Incremented by one each time a new instance of Bash is started. TIMEFORMAT The value of this parameter is used as a format string specifying how the timing information for pipelines prefixed with the time reserved word should be displayed. TMOUT If set to a value greater than zero, TMOUT is treated as the default timeout for the read built-in. In an interative shell, the value is interpreted as the number of seconds to wait for input after issuing the primary prompt when the shell is interactive. Bash terminates after that number of seconds if input does not arrive. UID The numeric, real user ID of the current user. 参考資料 Bash Guide for Beginners Version 1.11 Last updated 20081227 Edition
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Set wmi = GetObject( winmgmts root\cimv2 ) ip = Array( 192.168.1.100 ) subnet = Array( 255.255.255.0 ) gw = Array( 192.168.1.1 ) dns = Array( 20.21.22.23 , 20.21.25.26 ) Function NetworkConfigure(ip,subnet,gw,dns) Set adapters = wmi.ExecQuery _ ( Select * from Win32_NetworkAdapterConfiguration where IPEnabled=TRUE ) For Each adapter in adapters If adapter.EnableStatic(ip,subnet) Then NetworkConfigure = False Exit Function End If If adapter.SetGateways(gw,Array(1)) Then NetworkConfigure = False Exit Function End If If adapter.SetDNSServerSearchOrder(dns) Then NetworkConfigure = False Exit Function End If Exit For Next NetworkConfigure = True End Function NetworkConfigureがFalseを返したら失敗している。 複数のネットワークアダプタがある場合には、ごにょごにょすること。
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■Let s Spend the Cash Together (Recorded Service RS01-04) (4LP) Live at Exhibition Stadium, Toronto, Ontario, Canada, September 4, 1989 + August 12, 1989 ■Wheeler-Dealer (Recorded Service) Live at Exhibition Stadium, Toronto, Ontario, Canada, September 4, 1989 ■Love You Live Los Angeles (Starlight Record SL-87037) (2CDR transferred from 3LP) Live at Coliseum, Los Angeles, California, October 18, 1989 ■Atlantic City 89 (The Swingin Pig Records TSP-075-3) (3LP) (3CD transferred from tape) Live at Convention Center, Atlantic City, New Jersey, December 19, 1989 ■Steel Wheels Japan Tour (Cation J1990) (2LP) Live at Tokyo Dome, Tokyo, Japan, February 26, 1990 ■The Steel Wheels Performance (Star Records STAR-BOX1) (3LP) (2CD transferred from tape) Live at Tokyo Dome, Tokyo, Japan, February 26, 1990 ■Live in Holland (E102621A1) (2CD transferred from 2LP) Live at Feyenoord-Stadion, Rotterdam, Netherlands, May 18, 1990 ■Europe 90 Remember These Days (World Of Music) (1LP) Live at Niedersachsenstadion, Honnover, West Germany, May 24 More ■Welcome To The Urban Jungle (Bandit Records 005) (2LP) Live at Wald Stadium, Frankfult, West Germany, May 27, 1990 ■Cologne 90 Remember These Days (World Of Music WOM05-06) (2LP) Live at Mungersdorfer, Cologne, West Germany, May 30, 1990 ■Urban Jungle Best / Berlin 1990 (Records Servis LC 1289) (1LP) Live at West Berlin, Germany, June 6, 1990 ■1990 Nervous Breakdown (King Snake Records) (1LP) Live at Calderon, Madrid, Spain, June 16, 1990 More ■Basel 90 (The Swingin Pig TSP-SB-2) (3LP) (2CD transferred from tape) Live at St. Jakob Stadium, Basel, Switzerland, June 27, 1990 ■Simply the Best (Bud Records RS3890) (2CD transferred from 3LP) Live at Eriksberg Sannegarsorton, Gothenburg, Sweden, August 3, 1990 ■August Children / First Step in the East (Mielke Records) (2LP) Live at Radrennbahn Weissensee, East Berlin, German Democratic Republic, August 13, 1990 BACK / NEXT
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UNKNOWN, READY, STEADY, GO!, ARTV, 1965 ? 1 Everybody Needs Somebody To Love ■Animal Dads (DAC-064) includes track 1 mono SIX FIVE, UTV, 1.6.1965 1 Little Red Rooster (rehearsal-part only) THANK YOUR LUCKY STARS, ABC TV, 1.13.1965 (aired 1.30) 1 Down Home Girl (lip-synched) 2 Under The Boadwalk (lip-synched) 3 Susie Q (lip-synched) READY, STEADY, GO!, ARTV, 1.15.1965 1 What A Shame 2 Time Is On My Side 3 Down The Road Apiece ■Animal Dads (DAC-064) includes tracks 1-3 mono BIG BEAT 65, AUSTRALIAN TV, 1.29.1965 (aired 2.12) 1 Walking The Dog (lip-synched) 2 Heart Of Stone (lip-synched) 3 Little Red Rooster (lip-synched) 4 Around Around (lip-synched) ■Touring History Volume Two (Bad Wizard Video) (DVD) includes tracks 1-4 mono ■The Rolling Stones On DVD 1964-1965 (no credit) (DVDR) includes tracks 1-4 mono READY, STEADY, GO!, ARTV, 2.26.1965 1 The Last Time 2 Everybody Needs Somebody To Love / Pain In My Heart 3 Play With Fire 4 I m Moving On ■Animal Dads (DAC-064) includes tracks 1-4 mono THE EAMONN ANDREWS SHOW, ABC TV, 2.27.1965 (2.28) 1 The Last Time (lip-synched) TOP GEAR, BBC RADIO, 3.1.1965 (aired 3.6) 1 Down The Road Apiece 2 Everybody Needs Somebody To Love 3 The Last Time 4 If You Need Me ■Get Satisfaction...If YouWant! (The Swingin Pig TSP-CD-003) includes tracks 1-3 mono GOT LIVE IF YOU WANT IT! (EP) OUTTAKES, LIVE AT UK TOUR, 3.3 - 3.12.1965 1 Down The Road Apiece 2 Everybody Needs Somebody To Love ■Got Live If You Want It! (VGP) includes tracks 1-2 mono TOP OF THE POPS, BBC TV, 3.4 (aired 3.11) 1 Down The Road Apiece 2 I Can t Be Satisfied 3 Everybody Needs Somebody To Love 4 Oh Baby (We Got A Good Thing Goin ) 5 The Last Time ■Touring History Volume Two / Five (Bad Wizard Video) (DVD) includes track 5 mono SCENE AT 6.30, GRANADA TV, 3.11.1965 1 The Last Time THANK YOUR LUCKY STARS, ABC TV, 3.21.1965 (aired 3.27) 1 The Last Time (lip-synched) 2 Play With Fire (lip-synched) 3 Off The Hook (lip-synched) 4 Everybody Needs Somebody To Love LIVE AT MASSHALLEN, GOTHENBURG, 3.31.1965 (2nd show) 1 Everybody Needs Somebody To Love / Tell Me (You re Coming Back) 2 Around Around 3 Time Is On My Side 4 It s All Over Now 5 Little Red Rooster 6 Route 66 7 The Last Time ■Scandinavian Shakedown (VGP-365) includes tracks 1-7 mono POP 65, SWEDISH RADIO, 4.1.1965 (aired 4.4) 1 Charlie Watts Interview 2 Keith Richards Interview 3 Brian Jones Innterview 4 Bill Wyman Interview 5 Mick Jagger Interview ■Scandinavian Shakedown (VGP-365) includes tracks 1-5 mono TV SPECIAL, SWEDISH TV, 4.2.1965 (aired 4.8) 1 Everybody Needs Somebody To Love (lip-synched) 2 Tell Me (You re Coming Back) (lip-synched) 3 Around Around (lip-synched) 4 Little Red Rooster (lip-synched) 5 The Last Time (lip-synched) ■A Rolling Stone Gathers No Moss (VGP-101) includes tracks 1-5 mono READY, STEADY, GOES LIVE!, ARTV, 4.9.1965 1 Everybody Needs Somebody To Love / Pain In My Heart 2 I m Alright 3 The Last Time ■Animal Dads (DAC-064) includes tracks 1-3 mono NME POLL-WINNERS CONCERT, BIG BEAT 65, ABC TV, LIVE AT EMPIRE POOL, WEMBLEY, 4.11.1964 (aired 4.18) 1 Everybody Needs Somebody To Love / Pain In My Heart 2 Around Around 3 Little Red Rooster 4 The Last Time 5 Everybody Needs Somebody To Love ■Animal Dads (DAC-064) includes tracks 1-2, 4-5 mono ■Touring History Volume Two (Bad Wizard Video) (DVD) includes tracks 1-2, 4 mono ■Satisfaction Guaranteed / Rare Video 1964-1967 (Scorpio Video) (DVD) includes tracks 1-2, 4 mono EUROPE 1, FRENCH RADIO, LIVE AT OLYMPIA THEATRE, PARIS, 4.18.1965 1 Everybody Needs Somebody To Love / Around Around 2 Off The Hook 3 Time Is On My Side 4 Carol 5 It s All Over Now 6 Little Red Rooster 7 Route 66 8 Everybody Needs Somebody To Love 9 The Last Time 10 I m Alright 11 Craw-Dad ■Paris Match (DAC-007) includes tracks 1-11 mono THE ED SULLIVAN SHOW, CBS TV, 5.2.1965 1 The Last Time 2 Little Red Rooster 3 Everybody Needs Somebody To Love 4 2120 South Michigan Avenue (unreleased) ■Ed Sullivan By The Quad (Hercules HC 0001) includes tracks 1-3 mono ■The Ed Sullivan Show 64 / 69 (no credit) (DVDR) includes tracks 1-3 mono ■The Rolling Stones On DVD 1964-1965 (no credit) (DVDR) includes tracks 1-3 mono CLAY COLL SHOW, WPIX CHANNEL 11, 5.3.1965 (aired 5.29) 1 The Last Time (lip-synched) 2 Little Red Rooster (lip-synched) HOLLYWOOD A GO-GO, ABC TV, 5.15.1965 (aired 5.22) 1 Oh Baby (We Got A Good Thing Goin ) (lip-synched) 2 Play With Fire (lip-synched) 3 The Last Time (lip-synched) SHIVAREE, ABC TV, 5.16.1965 (aired 6.5, 7.10) 1 Play With Fire (lip-synched) 2 The Last Time (lip-synched) 3 Down The Road Apiece (lip-synched) 4 Little Red Rooster (lip-synched) ■Touring History Volume Two (Bad Wizard Video) (DVD) includes tracks 1-4 mono ■Satisfaction Guaranteed / Rare Video 1964-1967 (Scorpio Video) (DVD) includes tracks 1-4 mono ■The Ultimate TV Masters (Shot Gun Entertainment) (DVDR) includes tracks 1-4 mono ■The Rolling Stones On DVD 1964-1965 (no credit) (DVDR) includes tracks 1-4 mono SHINDIG!, ABC TV, 5.20.1965 (aired 5.26) 1 Down The Road Apiece 2 Little Red Rooster (backing track) 3 The Last Time (backing track) 4 Play With Fire (backing track) 5 (I Can t Get No) Satisfaction (backing track) ■The Ultimate TV Masters Vol. 1 (Hercules HC 0005) includes tracks 1-5 mono ■25X5 (CBS/Sony Videodisc CSLM 753/4) (LD DVDR) includes track 3 mono ■Touring History Volume Five (Bad Wizard Video) (DVD) includes tracks 1-5 mono ■The Ultimate TV Masters (Shot Gun Entertainment) (DVDR) includes tracks 1-5 mono ■The Rolling Stones On DVD 1964-1965 (no credit) (DVDR) includes tracks 1-5 mono READY, STEADY, GOES LIVE!, ARTV, 6.4.1965 1 Oh Baby (We Got A Good Thing Goin ) 2 Good Times 3 I m Moving On 4 I m Alright 5 Play With Fire THANK YOUR LUCKY STARS, ABC TV, 6.6.1965 (aired 6.12) 1 I m Alright (lip-synched) 2 I m Moving On (lip-synched) 3 Route 66 TOP OF THE POPS, BBC TV, 6.10.1965 1 I m Alright (lip-synched) THANK YOUR LUCKY STARS, ABC TV, 7.26.1965 (aired 8.1) 1 (I Can t Get No) Satisfaction SHINDIG!, ABC TV, 7.28.1965 (aired 9.16, 11.6) 1 (I Can t Get No) Satisfaction (lip-synched) 2 Mercy, Mercy 3 Hitch Hike (unreleased) 4 That s How Strong My Love Is (unreleased) 5 Good Times (lip-synched) 6 Cry To Me (unreleased) ■The Ultimate TV Masters Vol. 1 (Hercules HC 0005) includes tracks 1-2, 5 mono ■25X5 (CBS/Sony Videodisc CSLM 753/4) (LD DVDR) includes track 1 mono ■Touring History Volume Five (Bad Wizard Video) (DVD) includes tracks 1-2, 5 mono ■The Rolling Stones On DVD 1964-1965 (no credit) (DVDR) includes tracks 1-2, 5 mono TOP OF THE POPS, BBC TV, 8.19.1965 (aired 9.2) 1 (I Can t Get No) Satisfaction (lip-synched) YEH! YEH!, BBC RADIO, 8.20 (aired 8.30) SATURDAY CLUB, BBC RADIO, 8.20 (aired 9.18) 1 Mercy, Mercy 2 Oh Baby (We Got A Good Thing Goin ) 3 (I Cant Get No) Satisfaction 4 The Spider The Fly 5 Cry To Me 6 Fanny Mae ■Get Satisfaction...If YouWant! (The Swingin Pig TSP-CD-003) includes tracks 1-6 mono Note;Yeh! Yeh! (tracks 1-4), Saturday Club (tracks 2-6) READY, STEADY, GO LIVE !, ARTV, 8.23.1965 (aired 8.27) 1 Mercy, Mercy 2 Cry To Me 3 (I Can t Get No) Satisfaction 4 Apache (closing music) SCENE AT 6.30, GRANADA TV, 8.23.1965 1 (I Can t Get No) Satisfaction (lip-synched) LUCKY STARS SUMMER SPIN, ABC TV, 8.29.1965 (aired 9.4) 1 (I Can t Get No) Satisfaction (lip-synched) READY, STEADY, GO! - THE ROLLING STONES SPECIAL SHOW LIVE, ARTV, 9.2.1965 (aired 9.10) 1 I Got You Baby (lip-synched) 2 Oh Baby (We Got A Good Thing Goin ) 3 That s How Strong My Love Is 4 (I Cant Get No) Satisfaction ■Animal Dads (DAC-064) includes tracks 2-4 mono ■Touring History Volume Two (Bad Wizard Video) (DVD) includes tracks 1-4 mono ■Satisfaction Guaranteed / Rare Video 1964-1967 (Scorpio Video) (DVD) includes tracks 2-4 mono ■The Rolling Stones On DVD 1964-1965 (no credit) (DVDR) includes tracks 2-4 mono CHARLIE IS MY DALING, FILM, LIVE AT ADELPHI THEATRE, DUBLIN, 9.3.1965 (released Spring 1966) 1 The Last Time 2 I m Alright ■Charlie Is My Daling (Silvertone Films) (DVDR) includes tracks 1-2 mono GERMAN TV, LIVE AT HALLE MUENSTERLAND, MUENSTER 9.11.1965 1 (I Cant Get No) Satisfaction ■The Rolling Stones On Tour (RS-3012) includes track 1 mono TOP OF THE POPS, BBC TV, 9.23.1965 1 The Spider The Fly 2 Cry To Me 3 (I Can t Get No) Satisfaction TOP OF THE POPS, BBC TV, 10.19.1965 (aired 11.4) 1 Get Off Of My Cloud (lip-synched) ■Touring History Volume Two (Bad Wizard Video) (DVD) includes track 1 mono ■Satisfaction Guaranteed / Rare Video 1964-1967 (Scorpio Video) (DVD) includes track 1 mono READY, STEADY, GO LIVE!, ARTV, 10.22.1965 1 Cry To Me 2 She Said Year 3 Get Off Of My Cloud ■Animal Dads (DAC-064) includes tracks 1-3 mono HULLABALOO, NBC TV, 11.11.1965 (aired 11.15) 1 She Said Year (bacing track) 2 Get Off Of My Cloud (backing track) ■All Those Years Ago (VGP-079) includes tracks 1-2 mono ■Touring History Volume Two (Bad Wizard Video) (DVD) includes tracks 1-2 mono ■Satisfaction Guaranteed / Rare Video 1964-1967 (Scorpio Video) (DVD) includes tracks 1-2 mono THE NEW YEAR STARTS RIGHT HEAR, ARTV, 12.17.1965 (aired 12.31) 1 (I Can t Get No) Satisfaction (lip-synched) 2 Get Off Of My Cloud (lip-synched) BACK / NEXT